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Jack Lueders-Booth (born 1935) is an American photographer. He retired as an adjunct professor of photography at Harvard, now is an adjunct professor of photography at the Art Institute of Boston. He has published a book called ''Inherit the Land''.〔(Entry at goodreads.com ) 〕 ==Career== In 1970, at age 35, left a business career to pursue overriding interests in photography. Taught photography at Harvard from 1970 to 1999, received twelve Commendations for Distinguished Teaching, and was three times nominated for Harvard University's Joseph P, Levenson Prize for Best Teacher of The Yerar In 2000, semi-retired to adjunct faculty positions at (sequentially), The School of The Museum of Fine Arts in Boston, The Rhode Island School of Design, The Massachusetts College of Art, and (currently) The Art Institute of Boston. Artist-in Residence at Dartmouth College, Hanover, NH; Visiting Artist, Yale University Graduate School of Art, CT; Visiting Artist, The University of Colorado Graduate School of Art at Boulder, CO; Lecturer, The Maine Media Workshops, Rockport, ME Selected Collections: Addison Gallery of American Art, Andover, MA Art Institute of Chicago, Chicago, IL DeCordova Museum and Sculpture Park, Lincoln, MA Fogg Museum at Harvard University, Cambridge MA Hood Museum of Art at Dartmouth College, Hanover NH Library of Congress, Washington, DC Museum of Contemporary Photography at Columbia College Chicago, Chicago IL Museum of Modern Art, New York, NY Museum of Photographic Arts, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA Smithsonian Institution, Washington, DC Selected Grants, Fellowships, and Awards: American Photography: Best Books of 2005 The Artists Foundation, Massachusetts (2) The Massachusetts Council for The Arts and Humanities (3) The Maine Photographic Workshops The National Endowment for the Arts (2) The National Endowment for The Humanities Humanitarian Award, Pine Street inn, Homeless Shelter (volunteer photography) The Polaroid Foundation Urban Arts/Rowland Foundation Twice, with Luis Alberto Urrea, nominated for The Dorothea Lange, Paul Taylor Prize, Duke University Center for Documentary studies. Selected Exhibitions: An Elevated View: The Orange Line at Boston Public Library, Boston, MA The Smithsonian (2012) (group "American Prisons") The Small Works Show, Sacramento Gallery, Cambridge, MA The National Gallery, Washington DC “Lueders-Booth Tuckerman” at The Art Institute of Boston, Boston, MA The Burden Gallery, Aperture Foundation, NYC (group) The Carpenter for Visual Arts at Harvard University, Cambridge, MA (one person) The Columbia College of Photography, Chicago IL (group) The David Rockefeller Center for Latin American Studies at Harvard University, Cambridge, MA (one person) The Hopkins Center of Art at Dartmouth College, Hanover, NH (one person) The Institute of Contemporary Art, Boston, MA (group) The Maine Photographic Workshops (one person) Marion Art Center, Marion MA (one person) The Massachusetts College of Art (one person) The Museum of Modern Art, NYC (group) Northeastern University, Boston, MA (one person) The Rhode Island School of Design (one person) The San Francisco Museum of Modern Art, San Francisco, CA (group) The United States Senate Rotunda, Washington, DC (one person) The University of Colorado at Boulder, Boulder, CO (one person) Books: Across the Wire (with Luis Alberto Urrea) By The Lake of Sleeping Children (with Luis Alberto Urrea) Inherit the Land (awarded monograph (5) with introduction by Luis Alberto Urrea and Afterword by Frank Gohlke) John Lueders-Booth, Artist in Residence, Dartmouth College, Hanover NH (exhibition catalogue) New American Photography (exhibition catalog) Photojournalism 1997 (best of), Graphis Press Other Selected Publications: American Photography Periodical DoubleTake, The Center for Documentary Studies at Duke University Selected Photographs from The Library of Congress American Folklife Center Weddings, National Endowment for the Arts "New American Photography" produced by Columbia College for the exhibition at the Chicago Center for Contemporary Photography〔Lueders-Booth, Jack. New American Photography. Ed. Steven Klindt. Chicago: Columbia College, 1981. 48. Print.〕 The article "The Artist's Lens: A Focus on Relocation" produced by the Photographic Resource Center at Boston University in their quarterly publication "Views."〔Swartz, Linda, and Pamela Worden. "The Artist's Lens: A Focus on Relocation." The Journal of Photography In New England 7.4 (1986): 27. Print.〕 The article "John Lueders-Booth: Inside Stories" published in Aperture's Quarterly Summer Vol. 91〔"John Lueders-Booth : Inside Stories." Aperture. Vol. 91. Millertown: Aperture, 1983. 80. Print.〕 The article "Like Silk" written by Marianne Wiggins and published in Aperture's Quarterly Spring Vol. 127〔Wiggins, Marianne. "Like Silk." Our Town. Ed. Minor White. Vol. 127. New York: Aperture Foundation, 1992. 80. Print.〕 "Across the Wire: Life and Hard Times on the Mexican Border" written by Luis Alberto Urrea〔Urrea, Luis Alberto. Across the Wire: Life and Hard Times on the Mexican Border. New York: Anchor : Division of Bantam Doubleday Dell Group, 1993. 192. Print.〕 "Thoughts on Landscape: Collected Writings and Interviews" written by Frank Gohlke〔Gohlke, Frank. Thoughts on Landscape: Collected Writings and Interviews. Tucson: Hol Art, 2009. 208. Print.〕 "The Best Books of the Year" written by David Schonauer〔Schonauer, David. "The Best Books of the Year." American Photo 2006: 100. Print.〕 "Lueders-Booth & Tuckerman @ The Art Institute of Boston" written by Matthew Nash〔Matthew, Nash. "Lueders-Booth & Tuckerman @ The Art Institute of Boston." Big Red & Shiny: Our Daily Red. Big Red & Shiny, 2005. Web.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jack Lueders-booth」の詳細全文を読む スポンサード リンク
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